WHO INFLEUNCES ME IN THE FASHION INDUSTRY?
In this essay I am going to discuss how Alice Kirkpatrick sci-fi heroine collection has influenced my fashion designs. In her collection she uses many different materials to communicate this image such as PVC, neon, metallic and patterned fabric which exaggerates the human form.
The angular, geometric shapes in her collection exaggerates the shoulders and hips by making them wider. Chest, by using block colours, and also uses big collars in her collection to make the character more suspicious which makes the audience think she has something to hide. Likewise to this, because a heroin Is an over exaggerated human being Kirkpatrick makes each woman an exaggerated powerful figure. Also, she uses blocks of colour instead of blending colours together and making it flow. This is because using block colours makes the angular shapes look even bigger and stand out even more.
I like the way Kirkpatrick uses the shapes to make every heroin stand out and change the image of that person. It is as if putting her clothes on changes the identity of the woman, making her into a character where you can be whatever you want to be, this can be shown by each heroin wearing masks.
Alice Kirkpatrick’s uses unusual themes, for example recently Kirkpatrick made a dress that looked like a traffic light. However this doesn’t stop with materials, all the materials she uses are eye-catching and shocking which makes the buyer look twice in amazement. The materials she uses are usually shiny, tight, bright or have interesting patterns.
Her designs inspired me into producing designs using collage but in blocks of different media collaged together. By combining different media I produced lots of unusual designs. I experimented producing one of these designs called Blue Diamond which I based on a dictionary page and turned it into an angular dress with over exaggerated hips and wide shoulders, to balance out the dress. I then added a blue diamond to add an eye catching piece of colour like Kirkpatrick’s work. In my designs I like to over exaggerate the shapes like in her work.
In my pieces I like to use a lot of pattern to make it stand out and bright blocked colours. This has really inspired me also in my textile work, I like to produce angular prints using silk screen and layering as many patterns on to make it seem 3 dimensional. This makes my prints stand out.
I also like the way how Kirkpatrick combines block bright colour and black for her pieces the colour draws the buyer in and then they wonder who the person might be under the clothes. Her fashion collection turned into a mystery who’s behind the colour?
Altogether I really think that Kirkpatrick has given a whole new dimension into fashion combining with geometric shapes and giving all women the chance to be a heroin. She shows how fashion can help you be the person you have always wanted and can transform you by using some simple shapes and colours. I think her work will still inspire me in the future and help me develop my own style and how I want my clothes or textiles to be used.
MY WORK AND DESIGNS
ALICE KIRKPATRICK'S WORK
By: Sophie Semmence,
Tutor: Vicky Cull,
Word Count: 532.
Thursday, 2 December 2010
Wednesday, 3 November 2010
visual studies.
created a magazine in visual studies, then made collages out of my favourite picture. This is the end result.
This last one is my favourite, the shapes and just how i created so many views of one small image makes it look very effective.
This last one is my favourite, the shapes and just how i created so many views of one small image makes it look very effective.
Thursday, 28 October 2010
essay
The representation through these pieces are both shown using the
media of textiles. The pieces I have chosen are Meret Oppenheim,
Object made in 1936 and Louise Bourgeious, Woven Chid made in
2002.
Both pieces represent the reusable factors of life. Oppenheims object is
a cup covered in fur, Cups are reusable objects that can be used over
and over again. Likewise to this Bourgeious Woven Child is the female
form which can be used as a container for children representing the
womb, as reusable container of life.
Oppenheims fur cup looks delicate and well crafted with Chinese
gazelle fur. Even though it is thick with fur you can still see the shape
and how well it is put together. The cup may look complex in design
but it was made by covering a cup, saucer and spoon in fur.
However, Bourgeois, Woven Child is a less complicated piece, message
is very visual and obvious. The message Is mostly in the title which
represents the connection between mother and child or connection
with family. The transparent material shows the child at full form
very tightly held in the womb, the body image of the child makes the
message stronger with the connection of family and containing a
human being.
On the other hand Woven child is a light coloured pieces fresh and
clean, these colours may refer to the child being her first and how she
was pure before getting pregnant. But, the womb of the woman is a
dark blue transparent fabric which could mean that she is sad about
becoming a mother or how the child isn’t wanted.
Oppenheim cups meaning is about the fur trade and the element of
un-needed killing to symbolise your wealth. For example a cup doesn’t
need to be covered by the fur but the designer feels the need to catch
the eye of the admirer and make it stand out. The colouring of the
Chinese gazelle fur also has a meaning of higher class with a royal
golden yellow, symbolising the character that would buy or wear the
fur in the community. The spoon in this piece is unusually wide this
could mean the many ways it is used in fashion in daily use. Also
showing it in a new form shows the ridiculous ways it is used when
there is no point or advantage to killing an animal to get fur.
Woven Child refers to family life as a natural bond by using “woven,” in
the title with is a way of weaving natural fabrics together and joining
people together in life. However, not every bond is wanted and even
though it may be natural it can be what you don’t want.
Altogether, both pieces share the idea of unwanted or not needed
natural objects. Fur is a natural object but it doesn’t belong with a cup
and saucer, a baby doesn’t necessarily belong when it isn’t wanted.
Also both pieces represent the reuses of life and creating new objects
out of older or more used versions.
media of textiles. The pieces I have chosen are Meret Oppenheim,
Object made in 1936 and Louise Bourgeious, Woven Chid made in
2002.
Both pieces represent the reusable factors of life. Oppenheims object is
a cup covered in fur, Cups are reusable objects that can be used over
and over again. Likewise to this Bourgeious Woven Child is the female
form which can be used as a container for children representing the
womb, as reusable container of life.
Oppenheims fur cup looks delicate and well crafted with Chinese
gazelle fur. Even though it is thick with fur you can still see the shape
and how well it is put together. The cup may look complex in design
but it was made by covering a cup, saucer and spoon in fur.
However, Bourgeois, Woven Child is a less complicated piece, message
is very visual and obvious. The message Is mostly in the title which
represents the connection between mother and child or connection
with family. The transparent material shows the child at full form
very tightly held in the womb, the body image of the child makes the
message stronger with the connection of family and containing a
human being.
On the other hand Woven child is a light coloured pieces fresh and
clean, these colours may refer to the child being her first and how she
was pure before getting pregnant. But, the womb of the woman is a
dark blue transparent fabric which could mean that she is sad about
becoming a mother or how the child isn’t wanted.
Oppenheim cups meaning is about the fur trade and the element of
un-needed killing to symbolise your wealth. For example a cup doesn’t
need to be covered by the fur but the designer feels the need to catch
the eye of the admirer and make it stand out. The colouring of the
Chinese gazelle fur also has a meaning of higher class with a royal
golden yellow, symbolising the character that would buy or wear the
fur in the community. The spoon in this piece is unusually wide this
could mean the many ways it is used in fashion in daily use. Also
showing it in a new form shows the ridiculous ways it is used when
there is no point or advantage to killing an animal to get fur.
Woven Child refers to family life as a natural bond by using “woven,” in
the title with is a way of weaving natural fabrics together and joining
people together in life. However, not every bond is wanted and even
though it may be natural it can be what you don’t want.
Altogether, both pieces share the idea of unwanted or not needed
natural objects. Fur is a natural object but it doesn’t belong with a cup
and saucer, a baby doesn’t necessarily belong when it isn’t wanted.
Also both pieces represent the reuses of life and creating new objects
out of older or more used versions.
Wednesday, 27 October 2010
london banner
I have recently been on a trip to london with college, and in groups after we had to make a banner using images and ideas that we collected on the trip, here are the end results.
textiles print
Here are some prints i created using screen print on various textiles. Infleunced by african art, france and jugs.
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